Venezia, Italia: Winter 2010 (December)
“If you read a lot, nothing is as great as you’ve imagined. Venice is- Venice is better” –Fran Lebowitz
SMELLS LIKE: hope blended with a brisk and mysterious breeze over the ocean
TASTES LIKE: freedom, magic, and ecstasy swirled into a cappuccino.
First of all, let me say, attempting to write about Venice is like trying to compose a love letter, you know how you feel but any words you choose to write somehow seem insufficient.
There is nothing that can prepare you for the feeling of being in Venice. No amount of history studying, book devouring, poetry reading, music listening, picture glimpsing, or map memorizing will suffice. I’m not naïve, I know I’m not the first to fall in love with this city nor do I assume I’ll be the last. Venice is Italian after all; It is the hometown of Casanova, one of the most famous romantics and charmers in history. Fall in love, but just don’t expect exclusivity with Venice. There are hundreds of writers, artists, and poets who have been seduced to their very core by this magical city built on water, a place so unlike anywhere else in the world that you don’t know if you are actually walking on the maze of cobblestone streets or only lost somewhere deep in a dream.

I’ll try to start my story from the beginning and hope that my meager ramblings will suffice. With a map in hand and my heart transformed into a sponge that began to suck up all the magic of the city it could hold, I walked out of the train station and I wandered through the maze of Venetian streets almost directly to my hotel. I was prepared to be continuously lost in Venice, as I kept reading that its streets are more comparable to ant trails than to roads, but surprisingly I never felt lost. Maybe I was and I just didn’t care. I’d wander through a few passageways in the direction that intuitively felt right and twenty photographs and thirty heart-stopping moments later I’d magically find myself wherever it was I was trying to go. There is no real sense of time in Venice; It vanishes along with the rest of myths of the real world. Venice time is measured in glimpses of the canal, in the number of exquisite handmade Venetian masks you pass by, and the number of times you hear “Gondola” whispered into your ears by seductive Gondoliers who are hungry for your money.
First stop on my trip was to visit the Piazza Grassi and the Punta della Dogana, which are both extraordinary contemporary/ modern art spaces showing the collection of Francois Pinault. Both the Piazza Grassi and the Punta della Dogana were just commissioned to be renovated by none other than Tadao Ando, one of my absolute favorite architects, and also the architect who designed my favorite museum of all time, the Fort Worth Modern. Definitely worth the price of admission. By evening, I found myself in a nice warm bar drinking a few glasses of wine, which the generous Italian bartender refused to let me pay for. He told me I was too beautiful to pay for drinks and then he invited me to meet him after he closed the bar at 1:00am. Perhaps once a tempting offer in my life, but this time I decided to pass and to keep my sordid bartender affairs confined to my past. Could it be that I passed up a chance with an Italian?! But bartenders are trouble everywhere and don’t let anyone tell you different. Besides, I had a violin concert of Antonio Vivaldi’s Four Seasons to attend and the loving embrace of Venice to keep me company. Really, who needs anything else?
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| San Vidal's Chiesa: Site of the Concert |
I did meet a couchsurfer that night after the symphony because he had offered to show me around and, as I believe in the goodness of the CSP, I couldn’t refuse his generosity. I’m sure he was a perfectly nice guy and we had a few interesting things to say to one another but for the most part, for the two hours we spent together, I just kept wishing I was alone. He was hogging my time and I really just wanted to be with alone with this city I was falling in love with. Plus, somewhere in the first thirty minutes he mentioned something about being bored with Venice and I decided after that point that I didn’t really want to get to know someone who could possibly think Venice is boring. We clearly couldn’t have anything in common. I was thankful to be back to my hotel around midnight, bundled in layers of clothes and tucked under the covers, dreaming about my plans for the next day.
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| Me wandering the streets |
Sunday I was up and out on the streets wandering by 8:30. Having seen no sign of the promised complimentary breakfast, or any other guests at the B&B for that matter, I fell into a nearby bar and had a quick cappuccino and a croissant before I proceeded to spend nearly all of the money I had brought with me on Christmas presents on my walk from the B&B to the Peggy Guggenheim! I have no idea how I’m going to get it all home. I may have to wear two coats on the airplane and leave all my clothes in Italy. My plan to only bring back maps, drawings, photographs, and memories was going great until I discovered Venice. Ah well, small price to pay I suppose.
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| This actually might be a portrait of Guynell Whetstone |
Next stop on my trip was The Peggy Guggenheim. This amazing collection of Modern Art is one of the main reasons I came to Italy and in my wildest dreams I couldn’t have imagined just how remarkable it would actually be. Who can’t love a museum that used to be the private residence of a woman nearly as famous for her collection of men as she was for her collection of Modern Art? She was a character, she was headstrong, and she was independent. My kinda lady. Here is a picture of her next to some of her many dogs.
I stood in the courtyard sculpture garden for the longest time, surrounded by the works of Henry Moore, Jenny Holzer, Alexander Calder, Alberto Giacometti, Anish Kapoor, and Mario Mertz. I stood in the sun, the happiest I’ve ever been in my whole life. I stood still just absorbing the moment and storing the memory deep inside of me so I’d never forget just how happy I can actually be. I wandered through the rest of the exhibition, high on the fumes of modern art, and finally out onto the famous terrace that faces the Grand Canal. I sat on that terrace for a long time with my sketchbook, drawing beautiful contour line drawings of the canal, of the bridge of Academia, of the Gondolas, of the buildings. They just kept coming. I actually think it is cheating for artists to produce work in Venice though. Making a bad drawing or taking a bad photograph in Venice is like trying to make homemade apple pie right out of the oven with vanilla ice-cream taste bad, it just isn’t possible.
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| A view of Yoko Ono's Wish Tree, appropriately an olive tree -one of my favorite pieces of the collection |

After the museum I took a boat ride to the opposite side of the Island in order to catch a ferry to the Island of Murano. I don’t know if it was just me having sea legs but while I was winding along the dimly lit and desolate back alleys, I swear the ground beneath my feet was rocking. I kept stopping every few minutes because I was sure I was going crazy. Venice does odd things to your mind. Even though it was freezing outside and the breeze on the boat was cold I refused to sit in the warm, glass-enclosed area of the boat where you couldn’t see anything. I wanted to feel the air of Venice on my face and I didn’t want to miss seeing a single thing. As it turns out the Island of Murano is mostly closed down by 6pm and there wasn’t much going on so I only stayed long enough for a nice Italian man to give me a private tour of his wonderful glass galleries. He spoke perfect English and seemed very impressed that I had come alone to Italy. He told me that I needed to come back in the morning to see the artists blow glass in the glass factories so I promised that I would and he sent me on my way. I spent the rest of the evening drinking wine and then wandering through dimly lit streets of the city before I returned to my hotel. Anywhere else in the world I might have felt scared wandering alone down dark alleys at night, but somehow I felt nothing but invincible in this city. I never got lost once, I felt like I knew Venice like I’d lived there my whole life. Perhaps in a past life I used to be a Venetian…it would actually explain quite a lot.
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| Venice, as seen from the boat by night |
So Monday morning I checked out of my b&b, made a few more drawings, and then headed back to Murano to see them some artists make glass! The origins of glass making in Venice date back to the 8th Century! It was around 1290 that out of fear of fires, the glass making factories were ordered to the Island of Murano. I read somewhere that around the 16th century there were no fewer than 3,000 glass blowers working on this tiny island. To this day, if you want to know about the art of glass blowing, you go to Venice. They made it look so easy, chatting mindlessly, cracking jokes, all the while this molten hot glass glowing as they heated it, molded it, pushed different colors together and blew in into beautiful forms. Incredible.
In the afternoon, just after lunch and one last cappucinno, I left Venice. As the train gently rolled out of the Station away from Venice and in the direction of Milan I felt tears rolling down my cheeks. I cried on and off for nearly an hour, the poor girl behind me probably thought I was leaving an actual lover behind. Leaving Venice is like leaving Heaven. As I left on that train, I cried because I knew I was leaving my soul in that city; I left it in the garden of the Peggy Guggenheim, buried beneath Yoko Ono’s olive tree of wishes; I left it on the tip of the Punta della Dogana, right in front of the “Boy with Frog” sculpture by Charles Ray; I left it in the Chiesa di San Vidal while I was listening to the violins serenade me; and I left it somewhere floating on the water between Venice and the enchanted Island of Murano. One thing is for certain, Venice will call for me to return to it for the rest of my life. My heart and soul will remain there, in that most magical place on earth, waiting for me to learn Italian and come home.
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| where my heart lies... |